A recent article from U.S. magazine Variety spotlighted the growing international presence and dynamic development of China’s film industry at the 2025 Cannes International Film Festival.
This year marked the fourth consecutive appearance of the China Film Pavilion at Cannes. Organized by the China Film Co-Production Corporation (CFCC) under the guidance of the China Film Administration, the pavilion showcased over 60 Chinese film companies and institutions. Major players like China Film Co. Ltd., CMC Pictures, Bona Film Group, and the Beijing Film Academy were among those represented.
The pavilion served as a vibrant platform to present the creativity and energy of Chinese cinema to the world, while strengthening ties between Chinese and international film communities. More than 180 Chinese films were introduced to global audiences, ranging from animation to historical epics. Notable titles like “Ne Zha 2“, “Detective Chinatown 1900“, and “Creation of the Gods II: Demon Force” garnered significant interest from international buyers.
A promotional video highlighted recent achievements of China’s film industry, drawing strong engagement from visitors. Variety noted a notable increase in overseas buyers and filmmakers exploring opportunities for distribution and collaboration with Chinese studios. Chinese animated films and intellectual properties gained traction, thanks to the international success of titles like “Ne Zha 2“.
Throughout the festival, CFCC representatives provided updates on the Chinese film market, answered questions about co-production and import policies, and helped connect foreign filmmakers with Chinese partners. These exchanges reflect the growing openness and ambition of China’s film sector.
The China Film Pavilion has become a symbol of China’s ongoing commitment to cultural exchange and international cooperation in the film industry. With increasing global visibility and a strong pipeline of creative talent and content, Chinese cinema is poised to play an even more active role on the world stage.
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U.S. media spotlights the vitality of Chinese films at Cannes
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