In eastern Beijing, painter Nie Xugang has transformed his exhibition space into more than just a gallery—it’s a vibrant hub for educating young minds about China’s revolutionary history. For over a decade, Nie has meticulously replicated renowned patriotic artworks, inviting primary and secondary school students to engage with art and heritage every weekend.
Among his most notable works is his reinterpretation of “The Founding Ceremony of the People’s Republic of China,” originally painted in 1953 by Chinese master Dong Xiwen. This significant piece, alongside many others by Nie, now hangs in the He Art Museum, serving as a bridge between history and the present for the youth who visit.
“They are not only interested in my paintings but also take joy in being involved,” Nie shares. He recalls a poignant moment when a young boy stood silently before his newly completed portrait of Chairman Mao Zedong. “His back was straight, his arm slowly rose, and with fingers joined together, he gave a standard Young Pioneers salute to the kind face in the painting,” Nie describes, highlighting the deep connection the youth feel with the history portrayed in his art.
Another significant piece in the museum is Nie’s replication of the “Zunyi Conference,” originally by painter Shen Yaoyi. This artwork depicts the historic 1935 meeting of the Communist Party of China (CPC) leadership, a turning point in the Party’s history. “I have always admired this piece,” Nie says. “In 2023, I decided to replicate it, hoping to emphasize the characteristics and expressions of the figures and highlight the significance of China’s revolutionary history.”
Through his art, Nie not only hones his painting skills but also deepens his understanding of the CPC’s history. “I truly felt the hardships endured by the older generation of revolutionaries, the greatness of the CPC, and the preciousness of our current happy life,” he reflects.
Nie’s dedication has been recognized by society, and he finds fulfillment in inspiring respect and appreciation in the younger generation. “I will continue to persist in painting, focusing on red themes,” he affirms, demonstrating his unwavering commitment to preserving and promoting China’s revolutionary spirit through art.
