Beijing, China — The 798 Art District, a hub for contemporary art, has unveiled a captivating new exhibition by renowned British sculptor Antony Gormley. The solo exhibition features 132 life-sized red clay brick sculptures that are reshaping conversations about art and architecture.
Crafted in the traditional pottery town of Yixing in Jiangsu Province, each sculpture is assembled from bricks of varying sizes, arranged across the gallery floor in seemingly infinite configurations. These humanoid forms, devoid of facial features and narratives, stand as silent sentinels prompting reflection.
‘It’s about exploring the relationship between the human body and the built environment,’ says a visitor at the exhibition. ‘The sculptures evoke a sense of desolation yet also highlight the structures we create.’
The installation blurs the lines between art and urban architecture, inviting viewers to contemplate the complexities of modern life. The use of local materials connects the work to Chinese heritage, while the universal themes resonate globally.
The 798 Art District continues to be at the forefront of artistic innovation, and Antony Gormley’s exhibition is a testament to the power of art to inspire dialogue and reflection.
